This book traces Slipstream's epic journey from inception through to the reality of an artwork that links together the technological age with the golden era of aviation, a joyful celebration of the spirit of 21-st century flight. It is a story of creativity, cutting-edge design, engineering and construction all bonded together by extraordinary teamwork and dedication.
The book contains films, audio interviews with Richard Wilson, moveable 3D models and an extensive gallery of previously unseen images documenting Slipstream from conception to completion.
Available to download from: iBook (PDF document. Size: 9.9MB )
or view in Apple Books
Richard Wilson (All images), Jane Won (Main text), Donald Smith (Foreword)
Published to coincide with the exhibition No Formulas at CHELSEA space, London, 2013.
An exhibition of the artist's proposals, through working drawings and maquettes for finished works, revealing the creative process at the early stage of each idea.
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Exhibition Catalogue published on the occasion of the exhibition at the Westbrook Gallery 11th June - 30th July 2007.
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Exhibition catalogue detailing the design and assembly of the sculpture Queen & Gantry installed at the Storey Gallery, Lancaster.
A percussive performance at the Timothy Taylor Gallery, London, 23 March 2006.
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A comprehensive documentation of the artists work with numerous interviews in which the artist freely speaks of the inspiration and motivation for his work with over 100 illustrations. This lavishly illustrated career survey includes a new interview with Wilson and examines six key works in depth.
Available to buy from: shop.tate.org.uk
Introduction by Lorenzo Fusi & essays by Tom Morton and Lucia Minunno in English & Italian.
The catalogue documents the film installation Bank Job made for the Caveau space at Palazzo delle Papesse, a former bank vault. The work comprises of a film of a rocket-like fuse that burns at high speed through the night streets of Sienna, tracing a portrait of the town before arriving in the vault. Tom Morton’s essay traces the development of Wilson’s use of film in his work while Minunno introduces Wilson’s work to an Italian audience.
Available to buy from: Amazon UK
The first comprehensive monograph on Wilson’s work includes detailed documentation of over 50 works made over twenty years, including all his landmark works such as 20:50, She came in through the bathroom window, Deep End and Slice of Reality.
Out of print.
Available to buy. Please enquire through the contact page.
The catalogue details an Installation in a former church, comprising of wall fabricated from insulation material that suppresses the noise of a diesel generator placed in the space to power a video projection of a drummer. The drummer is pictured playing against a backdrop of the derelict local open-air swimming pool, improvising in response to the noise of the engine. The audio CD is a 15 minute duet between the generator and the drummer.
Available to buy. Please enquire through the contact page.
Available to buy. Please enquire through the contact page.
Published on the occasion of Jamming Gears at the Serpentine Gallery, 15 Aug to 15 Sep 1996.
The catalogue documents 11 projects between 1989 - 1996, including comprehensive documentation of the installation at the Serpentine Gallery, where the artist reinterpreted the space through industrial process, such as coring, and the insertion of construction industry pre-fabricated architecture.
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Interview with the artist by Paul Schimmel.
The catalogue produced to accompany the exhibition ‘Richard Wilson : Deep End’ at The Museum of Contemporary Art, Los Angeles (16th October 1994 - 8th January 1995). Documents the artist’s installation where the artist installed an upside-down prefabricated swimming pool in the gallery linked to a 20m pipe to the skylight in the ceiling. The catalogue spans the entire process of the creation of the work from drawings and models to construction and installation of the final work.
Available to buy. Please enquire through the contact page.
Double-sided recording of gurgling ground water recorded from the base of a concrete pipe intersecting with London's watertable. Sleeve and label feature images of the work. Record grooves are punctured by a spindle rendering the record unplayable.
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Published to accompany Richard Wilson’s exhibition She Came in Through the Bathroom Window at Matt’s Gallery 3–23 April 1989
The publication is the culmination of almost five years of active collaboration between the artist and Matt’s Gallery, and includes colour and black and white plates of installations including She Came in Through the Bathroom Window, 20:50, Sheer Fluke.
Available to buy. Please enquire through the contact page.
Part of the interview-based documentary series profiling major contemporary artists. This volume looks at the work of Richard Wilson, the sculptor and installation artist who frequently works on an architectural scale. Wilson reflects here on the nature of artistic collaboration, the creation of works for specific places, and the need to challenge our sense of space and the environment around us.
Available to buy from the publisher: Illuminations
or
Amazon UK